The Limits of Control by Jim Jarmusch

Jim Jarmusch's new film is called The Limits of Control. Starring is Isaach De Bankolé with supporting roles by John Hurt, Bill Murray, Gael García Bernal, Tilda Swinton, Óscar Jaenada and Paz de la Huerta.

The loner (De Bankolé) travels throughout various Spanish cities meeting with strange characters in Cafés who exchange with him matchboxes containing instructions in codes. Several vignettes with repetition of sequences, stunning photography and minimalist dialogues.

The mysterious characters talk to the loner about music, art, bohemian life and other themes that reflect Jarmusch's view. It is constructed very smoothly but without the unity of his prior work, although the nudity and the multilingual scenes is a reference to this other films. Overall is an art film that has a lot of abstract messages, with non-acting performances that are followed by the camera. Definitely, his most incoherent film and not for everybody (specially those not familiar with his other work).

Rudo y Cursi by Carlos Cuarón

Rudo y Cursi is the first feature film directed by mexican screenwriter Carlos Cuarón. The movie is produced by Cha Cha Cha, a company integrated by fellow mexican directors Alfonso Cuarón, Alejandro González Iñárritu and Guillermo Del Toro. Starring are Gael García Bernal and Diego Luna with supporting roles by puertorrican actress Jessica Mas and argentinean actor Guillermo Francella.

The story of brothers Tato "Cursi" Verdusco (Gael) and Beto "Rudo" Verdusco (Diego) who work in a plantation in their poor Mexican town. They also play in the local soccer team. One day a scout, Batuta (Francella), arrives and watches them playing. Tato is the first who is drafted to play at a soccer club in DF called "Deportivo Amaranto" but he also wants to be a singer. Rudo eventually is scouted to another team in DF to play as the goalie. They both become famous players but Cursi falls for a beautiful model (Mas) who is a social climber and Rudo becomes an avid gambler. Both brothers are against each other at the final soccer game of their lives.

Cuarón's debut as a director is very-well accomplished. The photography is great because of the contrast between the poor coastal mexican towns and the urban life at the DF. The story flows very smoothly without flashbacks or any goofy camera tricks that enhances a non-linear storytelling. His brother's camera work, like long takes are seen a couple of times throughout the film as well as the use of a voice-over narrator who explains the context. Gael and Diego's acting complement very well the kind of funny but very real story that Cuarón tries to tell. The script resembles his shorts like "Me la Debes" (You Owe Me One) and his famous movie "Y tu mamá también" in the sense of being a simple, funny, sexy and thought-provoking drama that can be enjoyed anytime.

Carlos Cuarón along with brother Alfonso, Guillermo del Toro, Alejandro González Iñárritu, Guillermo Arriaga and Carlos Reygadas are the new generation of mexican filmmakers who are making spanish-speaking cinema stand for itself nowadays.